Both rage and hope can be detrimental to developing the kinds of responses to the climate emergency that we need to restructure society (and the kinds of stories we tell ourselves). Certainly, rage can motivate, but it can also turn on itself; hope can push relentlessly toward unrealistic, unachievable goals when good-enough is right in front of us. Bolander’s novelette is certainly a rage-packed pill that is, at times, tough to swallow; but it is easier if the book’s moments of beauty are not overlooked.
Rivers Solomon’s The Deep demonstrates a literal transformation of human bodies as a result of a change in environment. In this novella, the descendants of kidnapped African mothers thrown from slave ships as they cross the Atlantic ocean become the wajinru, an deep-sea dwelling merpeople who live in blissful forgetfulness of their history. But this forgetfulness cannot be sustained.
This story from Reckoning Magazine packs a ton of heart and hope into a diminutive novelette. It also packs eldritch horror into the unsuspecting body of a young girl whose family is responsible for the dam and diversion project which dramatically altered the ecosystem of its small-town setting. Lanny Boykin is a shape-shifter; but she is not the only shape-shifter in the story.
As part of our Internet debut, so that our future authors and and readers can get to know what to expect from the press, the Fiction and Non-Fiction editors will post reviews to the blog , describing a few books we’ve loved — both old and new. While only some of these books will be exclusively focused on the climate emergency, they will each have some elements of form or content that we’d love to see in our submissions queue. As we acquire our own titles, we will write more about Stelliform authors and their works; but until then, we will share the books we love and why we love them.
Robson’s novella, Gods Monsters and the Lucky Peach, does fit into the mandate of the press in that its technological focus is also ecological and its narrative acknowledges the ways that these two elements interact in Robson’s world.