The World is Changing. The World Can Change.

Our Disrupted New “Normal”

While many of us are at home ⁠— with others or alone ⁠— the world outside is changing. Under the pressure of a global pandemic, many are seeing the possibility of further change⁠ — of the ways that it becomes more possible every day to resist falling back into “normal” once quarantines and self-isolation protocols are lifted.

But many of us aren’t there yet. We can’t think about what we might do with these forced changes, these new perspectives, this undirected energy. Many of us are experiencing conflicting feelings about the ways that the coronavirus has affected daily life. We are caring for sick loved ones or fretting over their health and safety; we are in throes of anxiety over our financial situations present and future; some are grieving over the loss of loved ones and the loss of life as we knew it. We are under pressure to ignore all of this and maintain “productivity.”

A sign reading "If the climate was a bank you would have saved it already."
For most countries around the world, public health has trumped economics in pandemic response.

What the Pandemic Does not Teach Us

Relentless negativity in the news cycle and on social media has many of us gasping for a breath of good news, grasping at any tangible sign of positive changes in the world. Recently, stories of animals moving into the spaces recently vacated by humans have captured the attentions and imaginations of many online. Pictures of dolphins in the canals of Venice, elephants in Yunnan, China, and mountain goats in Llandudno, Wales made the rounds, provoking comments about how quick nature is to flourish in human absence.

Many of these resurgent-animal posts have turned out to be clever graphic manipulation, fakes, or just the decontextualized everyday. As Jeff VanderMeer puts it:

In addition to highlighting missing context, celebrating non-human resurgence can have nasty undertones. Last January, during a public talk at McMaster University entitled “My World’s on Fire, How ‘bout Yours? Unravelling the Politics and Culture of Climate Change,” professors Susie O’Brien and Robert O’Brien fielded a comment-more-than-question from an audience member who insisted that in response to the complex problem of climate change “we need a new plague.”

Well, here we are. But the Malthusian solution to environmental stress rarely considers the injustice of this answer to the question of our climate change response. Who is most exposed to coronavirus? The poor and working class who have no choice but to work if the work is available, and the homeless who cannot self-isolate. Neither does a drastic and sudden reduction in human population consider the extreme amount of human suffering that this downward trend represents. Rarely do the people making this suggestion consider themselves to be among those who succumb to their suggested plague, nor do they consider their own family and friends among the devastated survivors. This so-called solution, which comes up far more than it should, is steeped in privilege.

If we learn anything from this experience, let us learn to resist this rhetoric. Let us remember that People Aren’t Bad for the Planet–Capitalism Is. Let us continue to use our time to imagine new equitable social structures to slip into when we collectively open our doors some months from now.

Review: The Lamb Will Slaughter the Lion by Margaret Killjoy

Communing with Deer in the Era of COVID-19 and Isolation

We hope this review is reaching everyone safe, well, and suitably socially distanced. Here in Ontario we are headed for increasing Covid-19-related restrictions on the ways we engage in public spaces, with all non-essential services closing tomorrow at midnight.

I am feeling extremely lucky to live where I live — at the edge of a semi-rural development between city and conservation area. We’ve been seeing more deer lately and after reading Margaret Killjoy’s The Lamb Will Slaughter the Lion, my deer encounters trigger a little frisson of morbid excitement.

Readers, this is our chance to do what we love and model civil responsibility. If you’re looking for a new read to pass the time in self-isolation, maybe Killjoy’s novella is just what you need?

Books We Love

The Lamb will Slaughter the Lion was published in 2017 by Tor.

This creepy bit of sylvan horror is the kind of thing we’d like to see in our slush pile: a story about the inhabitants of an anarchist commune in Freedom, Iowa, who summon Uliksi, a blood-red three-antlered deer god, in order to deal with their hierarchy problems. Uliksi “turns predator into prey” when he “hunts those who wield power over others”.

Though Uliksi is originally summoned to deal with a violent sociopath who has seized control of the commune, the summoners soon realize that the act of summoning an “endless spirit” to dispatch Freedom’s unwanted leader results in the deer god’s gaze falling, inevitably, upon them.

We love the complex commentary on power relations in this book. Uliksi’s presence raises questions about the difference between violence enacted to seize power and that enacted in self defense, and — when the police bear down on Freedom and the squatters dread the slaughter that will ensue should Uliksi and the officers meet — the violence that upholds an unequal and oppressive society.

That this narrative about violence — and its opposites, peace, freedom, and community — takes place in an environment isolated from big cities and in which the spirit and animal realms intermingle, underscores the ways in which humankind has betrayed ecological relationship in seeking power and status.

Killjoy’s book is fundamentally about belonging. This theme is brought up again and again as animals escape their taxonomies and humans struggle against the simultaneous desire to exist in the “safe” place outside connection, and to find a place that feels like “home.” Killjoy’s conceptualization of violence is a part of this push and pull. We (especially in the West) are invited repeatedly into relationship and make the choice, again and again, to accept or deny the summons.

/ / All, Books We Love, Novella, Reviews

Announcement: Stelliform Acquires Michael J. DeLuca’s Night Roll

Image of tweet by Michael J. DeLuca announcing Night Roll, on a background image of brambles, in black and white. The Stelliform earthstar logo is at bottom middle.

We are pleased to announce that Stelliform Press will be publishing Michael J. DeLuca’s novella, Night Roll, later this year. DeLuca is the editor-in-chief of Reckoning Magazine (which we have reviewed here and here) as well as an author of short stories published in Beneath Ceaseless Skies, Apex, Mythic Delirium, and many other places.

In Night Roll, new mother and climate refugee Aileen Dupree has been abandoned by her partner in post-industrial Detroit. Her neighbor, Virgil, comes to her rescue, bringing useful cast-offs and much needed friendship. Virgil is Aileen’s only connection to the outside world, a refuge for an insomniac newcomer who is overwhelmed by the turn her life has taken.

But then Virgil borrows Aileen’s prized possession—a chrome and leather royal blue fourteen-speed bike—and disappears. Aileen doesn’t know if Virgil’s disappearance is an accident or another abandonment.

When she ventures out to look for answers, Aileen finds friendship and support in a vibrant community she didn’t expect, surrounding a mysterious figure,  the Elf: a timeless being who has always fought the colonizers and capitalists of Detroit, and who now leads Night Roll, a wild race through the city’s disintegrating streets.

It is up to Aileen to bring Virgil back to his friends and family. But what can the Elf teach her about her new life? And what must she pay for that knowledge?

Follow us on Twitter, Facebook, or Instagram for updates on Night Roll. In the coming months we will have a cover reveal, author interviews, and giveaways. If you are a reviewer of climate change related titles, contact us for an ARC.

Announcement: Stelliform Acquires Sim Kern’s Depart, Depart!

Sim Kern tweets a video of novella signing and announces Stelliform’s first book, coming September 2020.

Yesterday we acquired our first novella, Sim Kern’s Depart, Depart! Kern’s book depicts the aftermath of a violent storm, and the ways in which climate change affects society’s most vulnerable people. Kern describes their novella in a series of tweets:

When an unprecedented hurricane destroys Houston, Noah finds shelter in the Dallas Maverick’s basketball stadium. To make matters worse, he keeps seeing visions of his great-grandfather Abe at the age Abe was when he fled Nazi Germany inside a duffel bag.

Noah doesn’t know if he’s haunted or hallucinating, but the visions keep saving his life and lead him to a found family of other queer refugees. But as tensions mount in the stadium, Noah fears that being trans and Jewish may put him at risk with certain “Capital-T” Texans.

To understand Abe’s visions, Noah delves into Jewish mystical lore and his own family’s intergenerational traumas. But the climate crisis is intensifying across the country, and as his shelter falls apart, Noah must decide what he’s willing to sacrifice in order to survive.

Follow us on Twitter, Facebook, or Instagram for updates on Sim Kern’s book. In the coming months we will have a cover reveal, author interviews, and giveaways. If you are a reviewer of climate change or LGBTQ+ titles, contact us for an ARC.

Review: “Hello, Hello” by Seanan McGuire

Stories We Love

Seanan McGuire’s “Hello, Hello” was published in Lightspeed 112, September 2019. It was originally published in 2015 in Future Visions: Original Science Fiction Inspired by Microsoft, edited by Jennifer Henshaw and Allison Linn.

Seanan McGuire’s “Hello, Hello” is a science fiction short story which bridges the gaps between several human and inter-species categories to illustrate that while future technologies will facilitate communication in ways that we cannot now imagine, technology alone is not enough.

“Hello, Hello” is a quiet family narrative in which two sisters — the narrator, a linguist, and her sister, an ornithologist who is deaf and communicates through American Sign Language (ASL) — solve the mystery of several anonymous phone calls placed from the ornithologist’s house. The phone calls, transmitted through an avatar-based video conferencing program which the ornithologist uses to communicate vocally with others who do not know ASL, are intercepted by her sister, niece, and nephew — to the delight of the children. While the story’s narrator (the children’s mother) is alarmed at the idea of a stranger calling her children, the children are captivated by the puzzle of the strange avatar that at first says little more than “hello” but gradually learns through their conversation. Who is this woman who keeps calling? What does she want?

Discovery at the Intersections

This story does a wonderful job of demonstrating the ways in which we need people with different perspectives, different life experiences, to interact with technology — and be a part of development and testing. It is Aunt Tasha’s disability, and the children’s positions as intermediaries between the world of deafness and hearing, which results in the crossing of boundaries to make a significant scientific discovery. Over the course of the story, the children discover that the strange caller is able to understand more of the attempts at communication if they can see the children’s gestures. These gestures, which the translation software has learned through Tasha’s use of ASL to talk to friends, family, and colleagues, bridge the gap between human language and learning and that of birds.

McGuire’s focus on disability, technology, and learning beyond species categories only hints at the wider implications of inter-species communication. We’re reminded of another excellent bird communication story that makes obvious the effects of climate change in shrinking knowledge and possibility: “The Great Silence” by Ted Chiang — one of the final stories in Chiang’s latest short story collection Exhalation. The narrator in Chiang’s story is a parrot who laments the seemingly inevitable extinction of his kind, linking the Fermi Paradox to the Sixth Mass Extinction. The opening lines of the story read:

The humans use Arecibo to look for extraterrestrial intelligence. Their desire to make a connection is so strong that they’ve created an ear capable of hearing across the universe.

But I and my fellow parrots are right here. Why aren’t they interested in listening to our voices?

We’re a nonhuman species capable of communicating with them. Aren’t we exactly what humans are looking for?

“The Great Silence” by Ted Chiang, from Exhalation

Perhaps McGuire’s story makes clear why humans are more inclined to look across the universe than to what creatures live with them, side by side, on this planet: It takes a different perspective than the ones we generally cultivate to counteract the encouragement toward extravagance in exploration and scientific discovery, particularly within the context of our capitalist culture. McGuire underscores the importance of admitting all kinds of people — people with disabilities, people of colour, women, and even children — into the Halls of Science, of broadening our definitions, of learning to listen to these stories before we no longer can.

Close-up of a crow's head and beak, facing left. The beak is open as if the bird is calling.

Further Reading

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